That got us thinking — we realized that while we had listed and contrasted the Primary Orientation, Location, Visualization, Ethos, Methods, and Authorship of the two approaches to creativity — we were still missing that “something” that might express the key differences.
And, debating what exactly would be a “key difference” made us realize that the question itself had to be rethought, for if the question was about “essences” — we would already be in the conceptual territory of the classical model. Because, while classical creativity involves a belief in, and search for essences — worldly creativity posits that no such entity exists — there are only networks and relations.