Inthe winter of 1970, four women are squatting on the sidewalk outside the Los Angeles Hall of Justice. Hands resting on their knees, palms up, they strike a calm, upbeat presence as they field questions from a grey-haired network reporter in khakis and a bad blazer. One of them, Sandra Good, explains as her friends nod and hum in agreement, “We’ll be here until he’s out, and he is coming out.” Breaking into song, they harmonize the lyrics of a tune they would have known well. Look At Your Love, a Manson-penned sing-along, is apropos for the circumstances:
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